Remember Selfie Maine Leli Aaj, the chartbusting track that informed the world of the earth shattering news about the girl who took her own photograph? Well Dhinchak Pooja – the queen of cringe pop is back! She is back with yet another song completely devoid of all lyrical or musical merit. Again about selfies, this time she is seen posing in front of replicas of the Taj Mahal, Eifel Tower, Statue of Liberty and so on.
In just a few days, the song has already racked up 80K + views.
Wisely the comments and the dislike button have been disabled.
Several leading publications carried stories about the ‘new release’.
Dhinchak Pooja has been consistent – off-key, offbeat, lyrics that a five-year-old would have written – in all her work
Here she is seen telling people the proper way to behave during the coronavirus pandemic. She tried to get out the right message – so what if the song makes your ears bleed.
This is an old tweet but the sentiment isn't. Many YouTubers work hard to create good content and have nowhere near the kind of popularity, fame and number of views that Dhinchak Pooja so effortlessly garners.
She is really popular – but why? For such execrable content?
Her ‘music’ is so terrible that it is wonderful. Beware India.
Not sure if this commentator is being facetious or is genuinely full of admiration for someone who managed to become famous based on such nonexistent talent.
Why don’t they make songs like this in Bollywood, some wanted to know.
They clearly expressed their opinion of the latest offering from the queen of cringe pop.
Someone apparently wants to take a selfie with Pooja – because why not.
As Dhinchak Pooja foists her latest musical masterpiece on the hapless people of social media, the inexplicable mystery remains. How does such banal and truly dreadful content about selfies and scooters and shooters become as popular as it does? And when she says selfie lene do we say - please, who's stopping you!
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